Today we are joined for a Q&A session by good friend of the blog, Kerry Fisher, who tells us why, this summer, we might hear her screaming from over ten thousand miles away…
What’s the best bit of feedback you’ve had about The School Gate Survival Guide?
I have been so lucky to have lots of lovely reviews but I think one of my favourites was from a Yorkshire postman: ‘Just finished The School Gate Survival Guide on my new Kindle, first book I’ve read in 10 years, bloody great read, thanks.’ I loved the idea of a little red van trolleying around the Yorkshire Dales with a Kindle and a copy of my novel on the dashboard.
How important was it for you to sign with one of the big publishers and what are the biggest differences to being self-published?
That’s an interesting question. I am so privileged to have self-published because what I learnt about marketing, promoting, networking during the process has been invaluable now I’m traditionally published – I have the confidence to suggest ideas and discuss decisions that I don’t think I would otherwise have had. However, I always felt that what I could achieve sitting at my kitchen table on my own would be more limited than the opportunities offered by a big publisher – foreign rights, audiobooks and of course, even paperbacks.
How did it feel the first time you saw The School Gate Survival Guide in your local supermarket?
I made a total fool of myself in Tesco by asking someone to take a photo of me with my novel. I blushed so hideously that the poor woman had to back away from the heat. Plus she managed to capture me at such an angle that I looked as though I had a couple of watermelons stuffed up my T-shirt. Not quite the glamorous composed author on publication day photo I had in mind. I don’t think the fact that my book was out there, available to buy, really sank in until readers started tweeting pictures from supermarkets all over the UK.
Your second novel is called The Island Escape. What do you do to escape from the pressures of writing and everyday life?
A couple of times a year, I leave my whole family behind and disappear off with my best friend from university. We walk, talk until the early hours and eat fab food – we both love cooking. Just for those few days we’re twenty again – but without the Silk Cut and lager black. On a day-to-day basis, I walk on the South Downs with my dog, a Lab/Giant Schnauzer cross. It never fails to relax me – unless she steals someone’s picnic.
Your new book was promoted as The Divorce Domino in our anthology. How did the name change come about?
Because the book is coming out on 21 May, I think the publishers felt that having divorce in the title was a bit gloomy for a summer read.
Can you tell us a bit about the plot for The Island Escape?
The idea behind it was ‘Can one woman’s marriage survive her best friend’s divorce?’
When Roberta finally divorces her bullyboy husband, her best friend and former wild child, Octavia, takes stock of her own life. She wonders how the carefree person she was at twenty ended up married to a man who cares more about opening milk bottles in date order than having fun. She begins obsessing over the ‘one that got away’ – until she ends up going back to Corsica, the place where it all began. But will he still be there and if he is, what then?
What’s your favourite holiday destination, island or otherwise, and why?
I love Australia. Pre-children, I was a travel journalist and spent six weeks writing a guidebook out there. There’s so much that’s different and exciting. This year we’re taking the children (13 and 15) – it’s the first time I’ve felt I could bear a 24-hour flight with them, though being together 24/7 for several weeks should pose its own challenges. I’ve booked to do the bridge climb over Sydney Harbour with my son, so you’ll probably be able to hear me screaming back in the UK.
Do you think it’s true that you should ‘write what you know’ and, if so, to what extent have your experiences influenced your writing?
I think there are some people who do an amazing job of writing about things they don’t have firsthand knowledge of – I’m always absolutely in awe of writers of historical novels. I always find so many inaccuracies when I’m editing despite the fact that my books are contemporary. I prefer to write about things I know, but that’s probably because I’m fascinated by ordinary people and their experiences. I always use settings I’m familiar with – I’m lucky enough to have lived all over Europe in my twenties, so I haven’t run out of locations yet!
What are you working on at the moment?
I’m in the process of editing book three, which is about how modest secrets become more toxic as they pass down the generations, intertwined with modern parenting dilemmas.
Do you ever think about writing in a different genre, if so, what would you choose?
I’d love to be able to write a psychological thriller but that would need careful plotting in advance. It probably wouldn’t suit the way I write – I tend to know the beginning and the end, but not too much in between. I would like to write a sit-com about modern families for TV, though I don’t think my teenage children would ever forgive me.
What’s the hardest type of scene for you to write?
I find sex scenes absolutely mortifying, because I’m quite prudish and hate the idea that people I know feel that they have a window into a very private world (they don’t!). There’s a little bit of real – rather than hinted at – sex in The Island Escape. I wanted to staple those pages together when my dad was reading it. I’ve forced myself to take author Raffaella Barker’s excellent advice, which was ‘I’d never write another word if I ever thought about what people think about any aspect of my writing.’
Do you ever get writer’s block and, if so, how do you deal with it?
I don’t get writer’s block really because I treat writing very much as a job. I turn up at Starbucks every day and write 1000 words in three hours. If I worked in an office, I wouldn’t be allowed to sit there and wait to feel in the mood for work, so I just get on with it – though of course, some days it’s easier than others. Having said that, I do get plot block…I’m currently thinking about what to write for book four and feel as though I’m trying to catch ideas in a butterfly net before they flit off.
If you could have three writing-related wishes, what would they be?
Probably the same as all writers, I suppose – to have my book made into a film and to make The Sunday Times bestseller list. In the meantime, a smaller and more achievable wish would be to stop stuttering when I utter the words, ‘I’m an author’.
What piece of writing advice do wish you’d known when you started out?
Where to start? I was so naïve about how tough it would be to get published. I thought writing the book would be the hardest part, so I probably needed someone to tell me: ‘You’ll have to believe in yourself for an awful long time before anyone else does.’ I don’t think I’d fully understood that rejection is an inevitable part of the process. However, the important thing is to allow yourself one day to rant (privately) then channel your energy into creating as many opportunities as possible to get your work in front of the decision makers.
Thanks so much for joining us on the blog Kerry and good luck with the release of The Island Escape – our Kindles are primed and ready!
Find out more about Kerry and her fantastic novels at the links below: